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・ Samuel Sprigg
・ Samuel Spring
・ Samuel Spruill
・ Samuel Squire
・ Samuel St. George Rogers
・ Samuel Stagg
・ Samuel Stanhope Smith
・ Samuel Stanley Peck
・ Samuel Starks House
・ Samuel Starkweather
・ Samuel Stead
・ Samuel Stearns
・ Samuel Steel Blair
・ Samuel Stehman Haldeman
・ Samuel Steinfeld
Samuel Stennett
・ Samuel Stephens
・ Samuel Stephens (Colonial Manager)
・ Samuel Stephens (junior)
・ Samuel Stephens (New Zealand politician)
・ Samuel Stephens (North Carolina)
・ Samuel Stephens (senior)
・ Samuel Sterett
・ Samuel Sterling Sherman
・ Samuel Stevens
・ Samuel Stevens (journalist)
・ Samuel Stevens (naturalist)
・ Samuel Stevens Sands
・ Samuel Stevens Sands I
・ Samuel Stevens, Jr.


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Samuel Stennett : ウィキペディア英語版
Samuel Stennett

Samuel Stennett (1 June 1727 – 24 August 1795) was a Seventh Day Baptist minister and hymnwriter.
==Pastor and hymnwriter==
He was born in Exeter but at the age of 10 his family moved to London, where his father served as the minister of the Baptist church in Little Wild Street. Samuel succeeded his father as minister in 1758, a position which he held until his death. Samuel Stennett received a Doctorate of Divinity from King's College, Aberdeen in 1763.
Although friend and supporter to the reigning monarch, George III, Stennett refused political opportunities to devote himself to ministry. He attained prominence amongst the Dissenting ministry and used his influence with political figures in behalf of Dissenters suffering diabilities under the Clarendon Code.
Stennett authored some 39 hymns, five of which appeared in Rippon's Selection, which was published in 1787. His grandfather, Joseph Stennett, had also been a prominent Dissenting hymn writer. Samuel continued this tradition, although with less passionate language than had marked his grandfather's Puritan-influenced notions of Christian experience.
More than any other of Samuel Stennett's hymns, "On Jordan's Stormy Banks", which was published in Rippon's Selection under the title "Promised Land," found enormous popularity especially amongst 19th-century American Methodists. It was sung in camp meetings and brush arbors, and also found its way into the 1835 Southern Harmony and is part of the American shape note tradition. Several of Stennett's hymns are preserved in the Sacred Harp.
Stennett also printed a memoir ("Memoirs of the Life of William Ward" 1825) of the Missionary to India William Ward which also contained several sonnets and short poems by Ward, which were printed as an appendix. A portrait, engraved by R. Baker from a painting by Overton is prefixed to the same work.

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